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Anaconda, War on Drugs, Comfortably Numb/Some Kind of Stranger
Alice, Body Electric, Comfortably Numb/Some Kind of Stranger, but no Flood I or Bei Mir Bist Du Schön
opened with Temple of Love, War on Drugs, Comfortably Numb/Some Kind of Stranger, no Flood I
standard setlist with added Sister Ray and Comfortably Numb/Some Kind of Stranger
Sister Ray, Comfortably Numb/Some Kind of Stranger
The generic tour setlist
This setlist was used for the second part of the tour; premiered in San Francisco, it was followed verbatim in 5 dates of the tour (Atlanta's setlist is unknown, and it's quite possible that it was the sixth date). Earlier gigs followed the same list, albeit very freely. And the setlist very much reminds the one from the last tours.
This move copies the then-surprising pattern of Event Horizon -- most of its late gigs had identical list, or its very close variation. Same as back then, the "standard" setlist (and most shows) had 19 songs -- this in contrast to Summer'98 when the band was willing to play all 21 songs whenever they had a chance.
Summer was a short six date affair, so its best to compare the To the Planet Edge setlist to previous tours; and when comparing it to Distance Over Time and Event Horizon tours with 26 songs in repertoire a decline shows up: only 25 different songs were played in 1999.
How do we open this?
Intro music this time around was exclusively Tangerine Dream's Fly and Collision of Comas Sola, with exception of the pre-tour gig in Braga in which Afterhours was inserted just before Sisters performance. This breaks tradition of previous years when Afterhours was the preferred intro, with Comas Solo was often played before it, and only very rarely instead of it.
Unusual feature of this tour were the openers: most gigs in the first half of the tour, starting with New York, opened with Train/Detonation Boulevard, and later Chicago became first and last gig to open with Temple of Love. Neither song was used in this place ever before. Remaining gigs were opened with Ribbons, and the first USA gig in Washington kicked in with Vision Thing.
What's out and what's in
Jolene, Kiss the Carpet and Under the Gun, all last played in Event Horizon, were stripped in Summer and didn't reappear this time around. Two songs skipped in Summer reappeared: Alice and Body Electric, both in their usual "live surprise" mode.
Alice and Anaconda were only played once, War on Drugs and Sister Ray -- twice, and Body Electric count reached monstrous four. Comfortably Numb/Some Kind of Stranger was only present in six dates.
What did Sister Ray say?
The ubiquitous Sister Ray was played live twice -- in the closing date in Mexico City, making it the final song of the tour, and in Philadelphia, where it was called up by the audience: responding to semiaccidental Sweet Home Alabama's riff the crowd cheered faithfully enough to convince the band to return and play that song together with the rest of Sister Ray medley. Both Lucretia and Walkin' the Dog were included in both performances.
Biggest surprises of them all
But the biggest surprises of them all were the two tracks: Flood I, never played before masterpiece, and Bei Mir Bist Du Schön, the latest addition to the long string of live covers (20 with this one, 21 if you rank several impromptu lines of Always Look on the Bright Side of Life as a cover, even more if the half-baked "covers" included in recent Sister Rays are counted).
In New York, Andrew perfectly summed up the feelings associated with Flood I: "Bet you never thought you'd hear that one." This addition is fifth song from Floodland ever played live, and of the remaining three, only Neverland retained full studio purity -- tiny fragments of 1959 and Driven Like the Snow were performed between songs in 1992/06/27 Birmingham gig.
The story of the song is told in the next chapter.
"The song was originally in Yiddish (not Hebrew!), written by Jacob Jacobs with music by Sholom Secunda. The English translation, originally performed by The Andrews Sisters (Maxine, Patty and Laverne) and faithfully rendered by Mr. Andrew, was done by Sammy Cahn and Saul Chaplin in 1937 (original copyright 1937 Harms Inc./J&J Kammen Music) and includes words in Italian and German/Yiddish (the "Yiddish" words in the English version are really German - Yiddish being a mix of Hebraic and Germanic components). Original Yiddish text was written by Jacob Jacobs, music composed by Sholom Secunda.
"This was only the second recording ever made by the Andrews Sisters and became their first hit record. Of course, the song didn't have the carefree, happy feeling when performed by others, but the overall spirit of the lyrics got me wondering: he [Andrew Eldritch] looked so much better than he did in 1998, and the resplendent, almost NewRomantics attire -- black leather pants and mid-calf boots, a yellow turtleneck, yellow shirt and white (linen?) mandarin-style jacket, complete with embroidery on the front -- and the longer, softer blond and curling, tousled hair style... with these song lyrics? Perhaps Andrew has found a modicum of happiness somewhere? ;>)
"[In New York] I was right in front of Adam, who seemed amazed that this redhead knew all the lyrics to this "unknown" song; I believe I was the only one in Roseland singing along at this point.
Sammy Cahn also wrote words to Love and Marriage, sung by Frank Sinatra and made famous by Andrew's favourite Married with Children series.
For more information about America's Wartime Sweeties, turn to Yahoo's entry.
Alexandre Barette (firstname.lastname@example.org) with email@example.com reported that shortly before the tour "Bei Mir Bist Du Schön" was covered by German dance band "Q Connection", which was good enough to enter the local Top 100. In the song, a female is singing Yiddish lines, and the rest is rap.
Shows to look for
1999 shows with most interesting setlists as the whole were:
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