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To the Planet Edge 1999
July 18
September 23 |
On September 25th Toronto's radio station
CFNY 102.1 'The Edge'
announced it's going to interview the band on September 27th; due to various
reasons (not least of them being Detroit gig that
same evening) the interview promise was rescheduled for 28th night, and in the
very end all those listening to radio via radio waves or Internet were left
with announcement that the man had border problems and thus can't come. As Tony
Beck reports, exactly at the same time von Eldritch was chatting with fans at
the concert venue, and explained his absence in the station as "I don't do
things like that on gig days". Adam went to the station though (nobody
interviewed him), and fans gathered there got free tickets.
It's not the first time CFNY failed to get pre-show interview from Andrew: they did it all before the previous gig in Toronto in 1998 -- promised an interview and got very surprised when Andrew didn't show up hours before the gig. Some people never learn. The show went smoothly, albeit the crowd was once again sleepy. Andrew made joking comments about Americans; later Dominitoes hit back, and the discussion is archived in this site for your convenience -- don't forget to read that too. |
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Setlist
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| Setlist | Reviews | Links | American comments discussion | ||||
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Reviews
Written by Todd C. Gregoire (tcg3@buffalo.edu)
for The Sisters of Mercy Tours site
Our day starts at 3:30, when I meet Bob in ground-level basement on
campus, near one of the famed french fry vending machines. We jump into
his car and start the drive up to Toronto. The drive is fairly
uneventful. We find The Docks fairly easily and pull in to the nearby
parking lot, stretch our legs, and walk up to the venue.
Soundcheck:
Soundcheck is still going on as we approach, and I can hear part of
"Comfortably Numb"... I'm elated... having heard the Sisters version for
the first time at the Toronto
show in 98, this gives me more than a little hope for the performance
of it later on.
Waiting in line:
Bob and I wander around, the weather is nice, surprisingly... after a
while we get into line. We're close to the beginning, there can't be more
than 10 or 15 people ahead of us... time passes slowly. After a while,
Josh, Jess, and Adam join us... introductions between those of us who
don't know each other. More time passes... we see Lori and Dan way back
in the line... Q comes up to us. This is the first time I've seen him
since January 1999. We all stand and talk, then eventually the doors
open.
After doors:
We go in... I go to the bathroom, then right to the barrier. We're on the
right side, facing the stage... we wait around... Lori and Dan join us.
More introductions.
DJ Tube:
This is the most uninspiring "artist" I've ever seen. I was enjoying the
boring electronic song with all the samples about drugs, more than I
enjoyed his "performance". So, that means, it's merch booth time. I pick
up 2 bumper stickers (one for this car, one for the next), and a T-shirt
that I think will only be offered on the tour. On the way back to the
barrier, I run into the Continental crowd... well, the crowd that I
associated with back in the day when I went and worked there. Stop and
say hi, then continue back to the barrier.
Intro:
The birds are vaguely pleasant at first... in progression, they're getting
louder and Louder and LOUDER and *!*!LOUDER!*!*... I'm plugging my right
ear, as it's directly next to the right speaker stack. This at least
keeps the blood from boiling in it...
Train/Detonation Boulevard:
I've heard Train only once at this point before... I have a decent view of
Eldritch, and I memorize the chorus the first time he sings it, the better
to scream along next time it comes around... I'm surprised that it's not
First And Last And Always
Ribbons:
This song is done well, but I'm still solid by the end of it... Q and I
are singing along to every song... The sound at The Docks is much better
than it had been at the
Warehouse... we're not playing the "guess which song this is" game for
the first 30 seconds of each song like we were at that show.
Come Together:
This song is pleasant, and I'm impressed by both the song, and again the
quality of the sound...
Amphetamine Logic:
The speeded up version does very well live, and I'm glad to hear it again.
Giving Ground:
Through the intro to this song:
Eldritch: "You'll be pleased to know that my girlfriend did turn up.
You'll be distressed to know that she's the only other person in the
building wearing white... but thanks for waiting with me anyways"
I've been waiting since I first learned of The Sisterhood (which,
unfortunately was AFTER the first Sisters show I attended) to hear this
song live... I'm amazed at how well it sounds with guitars in it...
starting to melt, even.
We Are The Same, Suzanne:
This song is really pretty, and I can actually hear it this time. Again I
marvel at the difference in sound, but also I re-solidify.
On The Wire / Teachers / On The Wire:
This is the second time I've heard this done, but the first time I've been
able to discern any details of either song... I am impressed.
Will I Dream:
This is an amazingly catchy song, and days later it's still popping into
my head at regular intervals, often drowning out one of my professors...
First And Last And Always:
I recognize this immediately, as opposed to the
98 show, where it took me
until the 3rd guitar part entered in the intro to recognize it. Once
again I marvel at the sound quality, and note how much I like the
speeded-up version of this song, too.
Flood I:
Eldritch: "How you doing people?"
Then the song starts. This is a surprise. A pleasant one, but Q and I
look at each other, shocked... I marvel again at the addition of guitar
chords in strategic places.
Bei Mir Bist Du Schön:
Eldritch: "Go on, get your 'ja, ja's out"
This is new to me. It's got a pleasant EBM-like quality to it, then the
guitars kick in, and I'm seeing stars... it's amazing. The string part
meshes in perfectly with the rest of the song... I can't wait to hear this
recorded...
Eldritch: "Well, we were gonna hand out lyric sheets, but there's not that
many of you can read Hebrew"
Summer:
Again, the sound quality. I can hear the song, I'm impressed.
Admittedly, I can only count 4 shades of anything, and not 7, but I'm
still impressed.
Dominion / Mother Russia:
Eldritch: "Don't take it personally - this IS a song about Europe"
The guitar distortion is different, and makes it seem much more electronic
than on the recorded version. I like the way it sounds, but generally,
this song is a slight disappointment. I'm wishing Eldritch would bring
along some female backup, or sample some, or something, cause the backing
vocals sound pretty bad.
Romeo Down:
Eldritch: "Honk if you like the U.S.A."
The bassline to this song is amazing... when this comes out in a studio
recording, it's gonna be blasting from my car in the warm weather.
Flood II:
Now I'm surprised again. I wasn't expecting both "Flood"s at the show.
This song also has a much more electronic quality to it, and it sounds
pretty good. The backing vocals are disappointing, but not as bad
sounding as Dominion / Mother Russia. Yet again, the guitars are
impressive.
Temple Of Love:
Again, it's just the second half of the extended version, just as
in 98. This is the song
that I first remember hearing by the Sisters... I'm hot, sweating, feel
like I'm going to explode as I scream the lyrics... but I'm in heaven...
The band leaves the stage, only to return after a few minutes that seem
like an eternity.
Something Fast:
Eldritch: "Are you sure you want to go there?"
This is done well, although I remember the lightshow being a lot more
impressive for this song last time. The backing vocals don't particularly
impress me, but at least they don't sound bad.
Vision Thing:
This is a surprise, and a bit of a disappointment in that I was hoping for
Comfortably Numb / Some Kind Of Stranger, but it's done very well.
This Corrosion:
Once the bassline kicks in, I know they're not going to play Comfortably
Numb, but the guitars, yet again, make this song seem more electronic, and
I really like the way they sound. It doesn't have the same feeling it did
in 98, but it's still
good. The chorus has heavier guitars added to it, and it sounds pretty
good.
Afterwards:
Leaving the venue, we get some flyers for some events, Darkrave
included... say goodbye to everyone pile into our cars, and it's time for
the drive back home. I think we stopped at Subway on the way home... all
in all, it was worth risking not being able to take a math test for, and
making an ass of myself by not even knowing my math professors name when I
took the test earlier that day.
Written by Viper Calhoun (gothicredneck@hotmail.com)
for Dominion mailing list
Well well, the show has come and gone, and I have not been to bed yet, so I
cannot honestly say I have recovered. But the question is, do I want to?
Now here's my story.....
7:30, our intrepid hero gets out of cab at the Docks. Anticipating a crowd much
like at Warehouse (pretentious little goths who wouldn't let me into the front
row) I have come in camouflage battle dress and 5-inch stiletto heels (yes, my
feet are still functional, but barely), pumped full of chemicals and ready to
go. Find lineup, get in line.
(On a side note, did anyone else notice the short blond guy in sunglasses and
black sweatshirt with skull and crossbones sitting out by the entrance smoking?
Yes, I think it was.....)
Finally doors open something like ten minutes late, after a half-assed security
search in which the chick patted down my skintight shorts but didn't even bother
checking my coat pockets, find bathroom, find bar, find self in front of stage.
Much waiting, some people around me actually turned out to be sociable.
Opening act sucked and was dubbed Monkey Boy by several other unimpressed
concertgoers.
And now for the main event. The intro tape starts. The stage fills with
smoke. The crowd goes wild. And there they are... Started off with a lovely
Train/Detonation Boulevard, followed by a lovelier Ribbons. Oooh, beautiful.
Could have died then, really. Von actually visible through the smoke most of
the time, grown the hair in a bit from last time I saw them, dressed in leather
pants, some sort of shiny silvery vinyl-type shirt and white leather jacket.
Seemed to be in a good mood, talking to the crowd and smiling a lot and
outsmoking me. Mike seemed to have been designated bad-shirt guy for this show.
Then there was Adam's lovely day-glo yellow.....
Despite my growing dehydration and the determination of the rest of the front
row to squish me into a little tiny space, and the pretentious gothy people that
tended to fill the front row, sitting there with unimpressed looks on their
faces, and the fact that I couldn't for the life of me understand what Von was
saying between songs, (all I caught was at one point something about the US, and
everyone started booing.)
Flood I was just fucking brilliant. Don't know why they never play it, it just
worked so beautifully... Other highlights include Flood II, Suzanne, On the Wire,
and Logic, but all of it was lovely. At one point Andrew threw a bottle of that
cranberry stuff right at me! But he fucking missed!
Landed on the floor in front of the barrier, spilling vodka all over the place.
Andrew you throw like a fucking girl!
Then came Temple of Love, and that was just wonderful, the whole thing just came
together, we were all going nuts up there. They take their bows, Mike blows me
a kiss, and they're gone.
We yell and scream and stomp on the floor, the stage fills with smoke once again,
and they're back. It is at this point that I realize that was in fact Andrew
sitting out there before the show, and I could have at least said hi. He had
the same St. Pauli sweatshirt on with a skull and crossbones. (Not a soccer
fan, couldn't appreciate it). They do Something Fast, then Vision Thing, kicked
ass, just amazing. They leave again, they come back again, for the inevitable
This Corrosion. Von cues us up, and we sing, oh how we all sing. Even the
pretentious people were singing. They take their bows, and this time when they
leave it's for good.
It was then I decided to amputate my feet and replace them with cypernetic
perma-stiletto implants. But all in all it was fucking brilliant. So much
better than the Warehouse.
Now I really must try to get some sleep.
Written by Tony Beck (tristren@earthling.net)
for Dominion mailing list
and The Sisters of Mercy Tours site
I show up around 1:00 - 1:30 just in time to see them setting up.
Frantic as
ever things went reasonably well, though there seemed to be some problem
with
the way the monitor board was set up. There was a real problem with the
merchandise though, i.e. it was stuck at Toronto International as Fed Ex
had
cleared pne box, instead of four. So they had a man standing by at the
airport ready to whisk the stuff over. It arrived during the show, so
there
was a rush on the stand after, where I got a nice tour shirt.
So Simon sets up the
Doktor (I saw at least one new hard drive, and an emergency trip to the
store
for a Zip drive as well... ahh, technology). And the sound check begins,
with
Dave fiddling about on the guitars. But the best bit was hearing the
good
Doktor run through some tunes... much fun. By five the member have
pulled up
and are inside starting the real sound check. Adam and Mike and Doktor
ran
through Giving Ground and Comfortably Numb, with Andrew doing a verse or
two
here and there... much fun. Adam sings CN very well I might add.
So sound check is over, and I'm back outside in line with a teeny
handful
of other fans who bothered to show up early. Who walks out the door but
Von
Eldritch himself (blond hair, St.Pauli jumper) and
Simon.
They are really very nice... As I've said before, anyone whom I have
talked
to who has not meet him, has said he's an asshole, anyone who has
thinks he
is nice. Mike comes out as well, and Adam goes off to the radio show.
(Von
seemed perplexed that people were expecting him to be at the station, he
said
"I don't do things like that on gig days" perfectly right). So everyone
was
standing around out front. I was surprised as in the past he has
always
whisked away out of sight.
They seemed pleased with the fact that they were getting good reviews
this
tour. I mentioned that the only real complaint anyone had was the
audiences.
He agreed.
Around 8 the doors open and to the front we go. My girlfriend was
ill with a
sever chest cold and mild fever; I was just getting over it, and would
have
to drive home 5 hours after the show, but it was well worth it.
Tube was a lot of fun. Other people were bitching, but so what...
A good
time was had by some. His music was interesting, and better then I had
gleaned
from the RA files on
his
site. He played from about 9:15 to 9:50, we figured
the Sisters would be on by around half past. By 25 past, the lights were
down
and the smoke was up. At one point during the intro tape the stage was
lit with a turquoise
shade that made it look like we were under water (this was repeated at
one point
during Flood). Spectacular. The center smoke machine broke or
disconnected five
times, and various people went up to poke it and get blasted by it. Dean
got in place,
and for those who want to know, they are planning on using some of the
footage
on the web site.
Train started it all. The lights, the clothes, the moves.
Von was wearing a white leather '70s style bike jacket over a silver
vinyl shirt and black leather pants, sublime.
The Sisters
of
Mercy are the greatest Rock n' Roll band that has ever been. I think by
now
everyone is familiar with the songs, new and old, so suffice it to say
that
they played wonderfully. They exploded with the first four songs and
dropped
into Giving Ground perfectly. Ranging through the new songs, mixing in
the
classics, and adding the beautifully rendered Flood I, it was sublime.
At
least I thought so.
The rest of the crowd apparently disagreed.
Now I was front row, and I wasn't spending my time looking over my
shoulder.
But aside from us and Viper Calhoun who is loud and can't catch
perfectly
tossed water bottles full of vodka-cran, but at least was there to enjoy
the
show (and bitch), no one in the front row was moving. My god,
stationary.
Next to my girlfriend was a girl in an ill fitting orange wig, whose
only
movement was to hide her face when Dean tried to film her. And there
was no
pressure from behind. Being pressed against the rail is not something I
enjoy,
but it is something I expect from a concert. Instead there was just the
lateral crush of a lot of people wanting to stand in the front row and
not
move. It is, I suppose, conceivable that a wild orgy of rock bliss was
erupting behind us... but when I did glance back, I saw a sea of mildly
pleased faces, with a few ultra-cool no expression types as well. Sigh.
But in
spite of this Les Boys put on an amazing show, and, as has been
mentioned of
previous shows this tour, really seemed to be enjoying him self, he
even
tossed another bottle of water after the first one was dropped, and
it was
with an apparently sincere "Thank You", that he took his leave.
I leave a happy man, and drive home.
Written by Brian Showers (bshowers@students.wisc.edu)
for Dominion mailing list
They always seem to have border problems! When I talked to Mike Varjak
before the Chicago show in 98 he said they had border problems then too!
Especially Heavy Water Factory, who had more than just a little problem at
the border or something like that as Mike winked at me. I got the
impression that he was glad they weren't touring with them anymore.
Written by S. Kennedy (limegreen44@yahoo.com)
for Dominion mailing list
Too bad there was no interview, but I was well
compensated for all the time I put into it with
several free tickets, so that was a salvage of
sorts.
Tube was great, but distracting from the true cause of
the evening.
Sisters took the stage after teasing for what seemed
like hours. A whisp of smoke here, a flood of lights
there.
Eldritch was as wonderful as ever, very charming,
whether he be quipping about our dear American neighbors, or just telling us that HE'S got a song
for US...
There were the usual sarcastic sounding things, a
tirade during the intro of Romeo Down worthy of Bono
about Americans parking their bombs and tanks on our
doorstep, along with the question 'anyone here like Americans?' then leaning over and cupping his ear to
the assorted grumblings that came afterward.
Right after singing 'gotta song for me?' he said 'well,
I'VE got a song for YOU'
There was a good bit of banter apart from that, but
those were the most clear for me. The
vocals could have been a HAIR louder...
Pearson rocked... hahaha... plain and simple, that boy
just gets more entertaining each time.
All in all, he had quite a good time. lots of smiles,
lots of laughter, and a large amount of camaraderie with Pearson, in true rock and roll fashion. It's
obvious that Eldritch is the last true rock star.
Apart from that, typical show, better than
the last,
IMHO.
All's well that ends well.
Written by eldritch@nme.com
for The Sisters of Mercy Tours site
An absolutely amazing show - clearly my favorite from the past three times I've
seen them play. Very slick sound, a lot of smoke, a lot of glamour... Andrew came
out in a white leather jacket with a silver shirt and black pants. Pearson wore
some glow in the dark 'scuba'jacket - with sunglasses to top it off.
Very cool -
Eldritch was in an usually good mood, I'm not exactly sure what could be the
cause of his happiness, but he seems like he is really, really enjoying himself.
He must have smoked at least 10 cigarettes during this concert. Numerous
'thank-you's' with a final bow to the audience were extremely dramatic to
witness.
The set list was standard, though no 'Sister Ray' for an encore. Oh well, at
least I got to meet Adam and Mike. Upon asking Mike if we're ever going to hear
a studio version of We are the Same, Susanne he replied that we will, though he
wouldn't specify when. He said the band is looking at various options - whatever
that means. The bottom line is that
this band is too fucking good not to release a record.
Highlights? It's hard to tell because everything was so good. Dominion,
Flood II, Something Fast, Temple..., Vision Thing, Suzanne, On The Wire. I
could go on and on. Sell your kids with the wife and go see the best band in
the world, it's that good.
Written by Jeremy Coffey (coffeyjt@hotmail.com)
for Dominion mailing list
I know I was relatively quiet cept for applause time as I was trying to pay
attention, observe, take it all in, be entertained by Von's comments, hear
over the annoyingly loud conversation of the people next to me who were
debating since the intro about when to leave (decision -- before the
encore). If I could have gone to more nights, I may have been a bit more
extroverted in my Sisters appreciation at the later venues. But still
likely not as extroverted as the guy who kept getting lifted onto someone
else's shoulders, looking at Von at eye level and seemingly trying to
provide "direction" to Dr. Avalanche by waving his hands.
Written by Josh (jbh@acsu.buffalo.edu)
for The Sisters of Mercy Tours site
All in all, the band performed well, but the sound was somewhat bad, and
Andrew's vocals were barely audible through most of the performance to the
point that the backing vocals were a lot louder than Andrew's and some of the
songs were barely recognizable. The new songs were cool for the most part.
My biggest complaint (other than the low vocals) was that the show was rather
short, sticking to mostly singles and new songs... It seemed like the encore
was over before it even began.... Of course, it's easy to point out the
negative aspects...but the show was generally good, loud, etc... :^)
Written by Yanick (joeyan@sprint.ca)
for Dominion mailing list
No interview, but Andrew was sitting alone on a bench beside everybody from 6:30
to 8:00PM
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