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To the Planet Edge 1999
July 18
September 23 |
The opening of this tour went quite smoothly, even though there were several
people reluctant to invest their money in ticket, several hours ride and hotel
and get treated to something similar to
last year's fiasco.
Everybody agrees that Andrew was in great mood this time. Playing with both ears intact, with album half done and no real obstacles (except the huge ego of you-know-who) to securing record contract certainly helps to raise the mood a bit. It didn't help majority of the crowd though -- as the majority was from (surprise surprise) everpresent goth community, coming to see the "classic goth band" with the "classic goth Eldritch" singing "classic goth anthems". Those aware enough to notice they're watching rock'n'roll band with blonde, happy and rocking Eldritch singing new creations, completely revamped classics and not-too-gothy covers weren't extremely happy, too. The initial setlist promised extremely interesting encore of Comfortably Numb/Some Kind of Stranger and Alice, making this show reach record setting 21 songs mark (they only played that much in Philadelphia and Mexico, and both these shows featured Sister Ray), but this was not to be -- probably due to the early curfew of the venue. This concert featured two premieres: a cover of Bei Mir Bist Du Schön, originally made famous by "Andrews Sisters" (I'm sure there's a joke somewhere), and -- to huge envy from those unable to come and see them live -- first part of Flood, performed live for the first time in band's career. The setlist didn't feature Body Electric, played on dates both just before and just after the show. Oh, and cameras were allowed in the gig. Hence the pictures. |
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| Setlist | Reviews | Links | ||
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Setlist
After this, the setlist has a note "Monte Carlo or Bust"
Thanks to Robert Hedengren (rwednesday@bellsouth.net)
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| Setlist | Reviews | Links | ||
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Reviews
Written by Mary O. Rogers (rogersmo@jmu.edu)
for The Sisters of Mercy Tours site
I attended the To the Planet Edge show in D.C. It
was incredible, although the opening DJ left something to
be desired. After he went off, there was a 40 minute wait
as smoke was pumped onstage to fill every corner of the
club. Great atmosphere. :)
Some of the technical highlights of the
show was the pink/yellow/strobe effect during Amphetamine
Logic and the smoke going from red to blue to purple during
the lines in Ribbons "her eyes were cobalt red, her voice
was cobalt blue / I see no purple light crashing out of
you." Very cool.
The band played the songs very hard and fast; some
songs were hard to identify until he started the lyrics.
Flood I was of course a fantastic surprise, and even more so
when they did Flood II as well. Andrew opened Ribbons with
the line "So just walk...on in..." and then crashed in the
heaviest, fastest version of Ribbons I've ever heard.
Dominion was great with heavy audience participation --
Everyone screaming "Stuck inside of Memphis with a mobile
home" with almost religious fervor.
Andrew seemed to be in a good mood throughout the
show, lighting a constant stream of signature cigarettes
and moving all around the stage, very into the music.
After Dominion, he said "That was for the Democrats, this
is for the Republicans," which I found very entertaining.
He also announced that "The Sisters are available for
weddings and bar mitzvahs...you think we're kidding."
After "closing" with Temple of Love, Andrew
reappeared with a humorous "Shut the f*ck up." He had
changed into a white high-neck shirt and black leather
jacket, which promptly came off. After a sing-along of
Something Fast, Andrew announced "We still have time for
one more" and ripped into First and Last and Always. The
final encore was This Corrosion, and the band left without
formalities.
One of the highlights for me personally was acquiring a numbered (000462) and autographed copy of
"Postcards from Above the Chemist." :)
Written by Karinn (nnirak@hotmail.com)
for Dominion mailing list
My two cents... (and maybe a few more)
I've spoke with quite a few people who are hesitant at buying tickets for this
show because of what happened at the last scheduled Sisters [DC] show. Many were quite
disappointed. I, however, purchased my tickets the day after they were available.
It is the Sisters after all. How often do we Americans get to be graced?
Smoke and the smell of cloves (god, I hate those things) made it hard to breathe and got me a bit light-headed before they came on stage. The lights were good, heat was good. That really tall bastard in front of me wasn't so good.
Something Fast in the encore... nice. A bit disappointed they only did one encore though. I was waiting for them to come back and do the Comfortably Numb thing. No such luck.
Was it just me, or did it seem too much a fashion show? Everybody in their little goth getups and all. The guy in the red corset-like dress and the 5 inch spiked heels... where did he find those in his size?!
Overall, I think you people still waiting for the Sisters to pay your little town a visit have a wonderful thing to look forward to. I was loving it.
Written by Robert Hedengren (rwednesday@bellsouth.net)
for Dominion mailing list
Excellent excellent show. I TOUCHED ANDREW!!!!!! The rowdy people up
front were next to me and he came over and shook our hands. They REALLY
cheered him up. He was in a great mood.
Bei Mir - new song - was kind of slow and uneventful without much patented Andrew
screaming. It sounded really raw. The two guitarists were watching each
other to get the changes right. It'll sound great on the album though.
I missed the guy in the red dress, but I was right by the four
people in the front who didn't smile or clap. Oh, well one of them
snapped in approval. OoooHhhh. Spooky.
The conversation with the girl who wasn't dancing was something
like "Hey why don't you smile." She said something. He said, "Are you
embarrassed now? Not as much as me." Then her boyfriend stepped in.
Man, I fucking let myself go. Even got some eye contact and a smile from
Andy. I got to shake the guitar players (Adam) hand because the rowdy
guys who were up front (who were very nice and I plan on hooking up with
them in Orlando) were totally into it and he would lean in let us touch
his guitar. He handed us his picks at the end of the show, but I gave
mine to some one else who looked sad.
Yeah! Smile damnit!!!
(The picture in this text shows Andrew trying to communicate with the described sad sad girl)
Written by Rich Goldman (rgoldman@hermes.icrc.wvu.edu)
for Dominion mailing list
The DC show was fantastic. I was extremely pleased with the crowd.
On any
other night, I might have enjoyed Tube, particularly with a nice rol onl.
But definitely not the night I was full of anticipation for my very
favoritest thing ever - Sisters live.
Something about the live version of This Corrosion didn't impress me this time
around. Granted, stuff had to be changed given no chorus, etc. But the new
guitar stylings didn't do it for me. I'm willing to accept, however, that
the mix wasn't doing it justice.
Was it just me, or did Von seem in genuinely good spirits... and to be
seemingly enjoying himself? I've never seen him so... glowing.
I drove 4 hours there and then four hours back, immediately before and
immediately after the show. The adrenaline never stopped on the ride home.
The man positively glowed, and it is so becoming on him.
I wonder if a lot of people might have feel like they've put a lot of effort and money
into seeing them last time they were supposed to play DC, and were really
badly disappointed. Many just might have felt like enough is enough. I know after
the 5 hour drive last time, the money to secure a hotel room et al, I was
really reluctant to make another investment like that. But alas, it's the
Sisters...
Written by LstatShaft@aol.com
for Dominion mailing list
2) Lots of newer material.
3) Only one encore (opening night jitters?)
4) Andrew seemed a touch hesitant for the first 1/3 or 1/2 of the set, but
after that, the ferocity came back. Very pleasant, joked with several people
in the audience, invited a girl onstage to dance (she declined). Gave
bottles of fruit juice to two people in the crowd.
A pretty satisfying show overall. The opener, a drum 'n' bass DJ named DJ
Tube, was very high-energy, lots of fun, and actually entertained me, despite
the fact that I don't much care for drum 'n' bass.
The major bummer was the stuff they played after doors opened but before DJ
Tube. I expected Manuel Noriega and David Koresh to come out and surrender.
Robert Hedengren:
That finger-snappin' guy was so close to getting the beating of his tragic
young life. I would have paid any amount of cash money for a distraction
long enough to divert the security guard's attention away while I pounded his
pretentious little head into the steel barricade. And he was rude, though
lucky for him and my as-yet unblemished criminal record, he wasn't rude to me
personally.
Sorry. Needed to vent.
Written by Judy Renee Pope (coyote@spookhouse.net)
for Dominion mailing list
LstatShaft@aol.com
All very much so. He was trying so hard to get some response for that
girl; tried to get her to smile, anything. Didn't work, she had her
studied "I'm so goth" face on, and wouldn't budge. There was also the long
and elaborate (and silent) conversation betwixt Von and the blonde girl to
my right about why they couldn't do what she so very badly wanted him to
do.
I was about three people
down from the Weird Woman in White With the Fan; she spent all night
fanning herself (we figured she must have had a bionic wrist since the
tempo never varied) and staring at the stage as if there were some
performing mice on it.
>A pretty satisfying show overall. The opener, a drum 'n' bass DJ named DJ
I'm happy with it, I thought it was well worth my $35. I agree with you
here on Tube--didn't really care for what he was doing, but he was having
such a good time that it was infectious.
>The major bummer was the stuff they played after doors opened but before DJ
LOL! You thought that, too? What WAS that? I kept waiting for it to segue
into some track about field stripping machine guns...
> No, an f'ing 11:30 PM curfew. Does anybody know if that's a neighborhood
I've always figured the metro hours are the main reason behind the 9:30's
attempt to have shows over by 12, at least it's the reason they give you
when you ask. Of course, some still run over, but it's not like the days in
the old 9:30; I still recall the night Red Lorry Yellow Lorry were delayed
arriving in town, and didn't even get onstage until past 2AM...
Written by scarecrow@ix.netcom.com
for Dominion mailing list
Strange DJ guy opened. Charming, but we would've preferred Otis Lee
Crenshaw.
Nice crowd. Probably not sold out, but close. Somewhat rowdy, particularly
down front. Seemed to warm Andrew up a bit (go figure) as the show went on.
10:00-11:40 set. Strange ending. Expecting second and third encores that
were never to be. Probably due to their lame 11:30 curfew. Took forever
for the lights to come up. Nods of apology from the stage crew.
Written by Hugh Clifton (hclifton@carma.com)
for Dominion mailing list
The DC show followed pretty much the same format of recent years.
Andy's hair is longer and less platinum blond tho still blond. My girlfriend
said he looked like Sickboy of Trainspotting. Hair is longer and not combed
back any more (wore a sleeveless white sisters shirt)
Andy appeared in rare form -- lotsa talking with the audience and sharing
his drinks with the audience
That's about it.
> No, an f'ing 11:30 PM curfew. Does anybody know if that's a neighborhood
Actually, the curfew law was passed some time ago, but the courts only recently
ruled that it can be enforced. And the curfew is 11 p.m. so that's not the
reason. And I seem to recall other concerts (haven't been to 9:30 in some time,
tho) having to end early. the metro is a more likely (but probably not THE)
reason -- the last metro train leaves at 11:49 (and talk of extending metro
hours until 1 a.m. will only be for Fridays and Saturdays starting in November
for an 8 month trial period, thus sadly wouldn't affect mid-week concerts).
The real reason is probably either noise restriction or a condition of their
liquor license. Neighborhood types aren't always keen to benefit themselves from
the economic and cultural opportunities inherent in rock concerts. Go figure.
My only excuse for knowing all this is that I'm working for the city council.
All pictures on this page were taken by
Elizabeth Victoria Bouras (evb@psychotica.net) in the Washington gig and used by kind permission; full versions are available at http://www.psychotica.net/evb/sisters.
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This webzine copyright © 1997-2005 Andrius Sytas Credited material copyrighted by stated authors |
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